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Steven Osgood is quickly becoming a much sought after conductor across North America, having proven himself comfortable in repertoire ranging from the Baroque through this century’s most challenging scores.  He was Artistic Director of American Opera Projects from 2001 to 2008, with whom he conducted the world premieres of Paula Kimper’s Patience and Sarah at the 1998 Lincoln Center Festival, and Janice Hamer’s Lost Childhood at the International Vocal Arts Institute in Tel Aviv in 2007.  He created the company’s nationally recognized Composers and the Voice Workshop Series, which is now in its fifth season.

Mr. Osgood conducted the world premieres of Tan Dun’s Peony Pavilion, with director Peter Sellars, and Jonathan Sheffer’s Blood on the Dining Room Floor in its critically acclaimed Off-Broadway run.  With DiCapo Opera Theater he has conducted Carlisle Floyd’s Susannah, and the American premiere of the chamber version of Tobias Picker’s Thérèse Raquin.  Mr. Osgood led Manhattan School of Music’s production of Lee Hoiby’s A Month in the Country, a recording of which is available on Albany Records.

With the Santa Fe Opera he was Assistant Conductor for the world premieres of Peter Lieberson’s Ashoka’s Dream, and Bright Sheng’s Madame Mao, as well as the American premieres of Hans Werner Henze’s Venus und Adonis, and Kaija Saariaho’s L’amour de loin.  His New York City Opera debut was with La bohème, and in 2006 he made his debut with Edmonton Opera conducting the renowned Robert LePage production of Bluebeard’s Castle and Erwartung.  He joined the music staff of the Metropolitan Opera in 2006 as Assistant Conductor for the world premiere of Tan Dun’s The First Emperor.

In the 2007/08 season Mr. Osgood led workshops of Tarik O’Regan’s Heart of Darkness, Conrad Cummings’ The Golden Gate, and Séance on a Wet Afternoon by Stephen Schwartz for American Opera Projects.  He  conducted Lukas Foss’ Griffelkin at Manhattan School of Music, and returns to the Metropolitan Opera as Assistant Conductor for productions of La Traviata, Phillip Glass’ Satyagraha, and Tan’s The First Emperor.  In April he conducts Stravinsky's vocal works with the ICE Ensemble at the Morgan Library. 

The 2008/09 features productions of Xenakis's Oresteia at the Miller Theater, directed by Luca Vegetti, as well as Tan Dun's Marco Polo with De Nederlands Opera, directed by Pierre Audi.  Next season Mr. Osgood also returns to Edmonton Opera to conduct La Traviata.